Is it possible to run a successful, financially viable, new music radio program/station with ample listenership? Hosted by Chrysanthe Tan and Tomas Kotcheff.
Before we can understand an artist’s work, thoughts, creative aesthetic, artistic merit, and so forth, we must learn and understand his/her personnel background and their gestation… Hosted by Ryan Keebaugh.
What are the most effective and efficient ways to promote yourself and your performances? How do you get audiences into the seats? Where is the line between adequate promotion and spamming? Hosted by Jennifer Reason.
Hi all! We’re slowing the #musochat schedule over the summer. Chats will take place the last Sunday of each month: June 25, July 30, and August 27. Sign up here…
Join Musochat at New Music Gathering for an in-person #musochat on the subject of support. Hosted by the Musochat leadership squad.
Can historically accurate performance practice improve or enhance musical presentation to new and regular audiences? Hosted by Joseph Svendsen.
How has technology changed the way music teachers interact with students? Can it? Hosted by Shaya Lyon.
A dive into the process of building momentum for new music from what seems like nothing, with the hope that everyone will teach each other a few strategies for identifying critical local resources and potential institutional partners. Hosted by Garrett Schumann.
No chat this week. See you on the 23rd!
Let’s discuss how we register works, obtain licenses for recording, protect what we’ve created, and the permissions we need to perform work written by someone else. Hosted by Ian Ring.
How can new music be used as a vehicle for arts diplomacy; locally, domestically and internationally? Hosted by Josh Armenta.
How do we prioritize in our work? As musicians, sometimes there are a lot of small tasks or projects that eventually lead to a big payoff. Sometimes projects stall. How do we decide how to best direct our limited resource: time? Hosted by Tammy Evans Yonce.
How do we perpetuate our projects in austerity conditions? Hosted by Kelly Lovelady.
A discussion about the usage and trend of extended techniques. Are they necessary and if so, what guidelines should be considered when using them? Hosted by Cassandra Venaglia.
Trying new things can be intimidating, yet crucial to our personal and artistic growth. When was the last time you tried something new? How did it go? Is trying new things a regular part of your routine, or something that doesn’t happen very often? Hosted by Hillary LaBonte.
Every time we perform, share a new piece, or even simply live our lives, we open the doors to critique. How can we suss out helpful advice from unhelpful advice? What are some of the best ways to incorporate (or ignore) criticism? Hosted by Chrysanthe Tan.
There’s no better way to perform and connect with your own personal music community than intimate house concerts. We will discuss ideas for producing, promoting, and performing house concerts. Hosted by Arthur Breur.
Can we make meaningful connections with listeners entirely in the digital space? Can musicians learn meaningfully from each other about audience development strategies online? What barriers stand in the way? What tools are available? Hosted by Shaya Lyon.
How we interact, structure our time, problem-solve, and the degree to which we allow ourselves to be vulnerable with one another can determine not only the outcome of our performances, but also our personal experience of music-making and even the trajectory of our careers. Hosted by Ann Moss.
Discussing sustainable placemaking strategies with regards to music and performing arts. Focused on low income and underprivileged communities. Hosted by Matt Kribs.
Any discussion of “relevance” and new music has to begin with this: How does the audience find us? Can they afford us? Do they come equipped to listen? What’s our responsibility – in programming, performing, teaching, and composing – when it comes to making new music accessible to new listeners and new communities? Hosted by Greg Simon.
From teaching to performing, or even those of us who work day jobs unrelated to music, income is often made through various sources for musicians. How do we as performers, composers, directors, etc., find the time to do practice what we excel at most? Hosted by Tony Manfredonia.
How do you listen? These days, we’re all very focused on how to be successful in the new internet economy – and we should be. However, if we know more about a composer’s career than we do about their music, then we’re out of balance. In this conversation, we’ll talk about the art of listening, the importance of it, and the support of fellow musicians and composers. Hosted by Anthony Joseph Lanman.
Discussing our business habits as performers, composers, and creators. What business skills do we have, need, recommend? What “traditional” business resources should we know about and take advantage of as people in the creation business? Hosted by Arthur Breur.
In many other areas of classical music, notably conducting and composing, women remain in the minority in concert halls, textbooks, radio shows, and on university faculty rosters. In this discussion, all are welcome to share their experiences within the classical music world, academia, and related spheres as they relate to issues of gender and intersectionality – with a positive focus on practical solutions. Hosted by Elisabeth Blair.
What influences each artist’s own journey of growth, development, discovery, and creative output? Hosted by Wesley Ferreira.
Come for the surprise, stay for the discussion. Questions from across the Musochat community. Hosted by the musochat team.
Overwhelmed with juggling all the different aspects of life and career? This musochat will explore how we all manage and cope in our busy lives and in this culture of the pressure to be busy all the time. Hosted by pianist Eunbi Kim.
Technology has made it easier than ever for musicians to experiment with adding visual elements to their pieces. But does this spell an end to abstract listening? Hosted by J.M. Gerraughty.
How do you find the opportunities? How do you pick which ones to apply for? How do you minimize the time you spend applying, and how do you know what to submit? Hosted by Kevin Clark.