Many composers of the past century have been pushing limits with graphic notation, video notation, or other new ideas. In what ways is this powerful and exploratory, for performers, composers, and audiences? In what ways is it limiting and diminishing, for the same groups? What’s the next step? Hosted by @AlanUhler.
What do we mean when we talk about the accessibility of a work? What do we perceive it to mean when others use it? Are there more precise words we could use? Is “accessibility” a useful metric in any way, or should we aim to retire it? Hosted by @sbassoon.
Even the most confident and accomplished musician has hangups and experiences shame from time to time. These things can sometimes hinder our work. Perhaps when utilized a certain way, they can also help our work? Hosted by @chrysanthetan.
What are genres? Why does it matter? SHOULD it matter? I always think about this, and I want to know what others think! I’ve got so much to ask. Hosted by @samelnicomposer.