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Overwhelmed with juggling all the different aspects of life and career? This musochat will explore how we all manage and cope in our busy lives and in this culture of the pressure to be busy all the time. Hosted by pianist Eunbi Kim.
Technology has made it easier than ever for musicians to experiment with adding visual elements to their pieces. But does this spell an end to abstract listening? Hosted by J.M. Gerraughty.
How do you find the opportunities? How do you pick which ones to apply for? How do you minimize the time you spend applying, and how do you know what to submit? Hosted by Kevin Clark.
How can we add value to our performances, compositions, and interactions? Hosted by Garrett Hope.
While many of us promote new music by appealing to lovers of traditional classical music, this #musochat will discuss strategies of inviting all types of listeners into the mix. Hosted by Elliott Grabill.
Archaic business practices tell us not to discuss others wages and salaries. In the music business, it is important to know the going rates, get the money talk out of the way, and be ready to negotiate for what your time is worth. Let’s get comfortable talking about the details of our business. Hosted by @Adam Schumaker.
A discussion about business and entrepreneurship in music schools. Hosted by Gahlord Dewald.
In a world where there is more opportunity than ever, even the traditional careers in music require an astonishing amount of versatility. Hosted by Mark Connor.
How do we achieve more balance between the needs on all sides? What do we frequently give up – what is often the sacrifice? Can we cover all bases without wearing ourselves thin enough to snap? Hosted by Griffin Candey.
How is the model changing for opera, and how can we make the art form more accessible? Hosted by Kim Feltkamp.
Humor is a punderful thing, especially in music. What strikes your funny bone? What left you rolling on the floor laughing after a rehearsal? Let’s take some time to relive what makes us laugh in music and share the joy it can bring. Hosted by Sam Melnick & David Falterman.
How did you get that first gig? How did you set up your first festival? I want to know, and I’m going to try and figure it out in 10 questions. Hosted by @jkmbassoon.
Bringing together musicians who struggle with mental illness – and those dear to them – to share our stories, where we think it all began, our low points, and our sources of light, including all of the ways in which we cope. Hosted by @mirandageorge.
About the creative spirit and musicians who express creativity through multiple outlets; about the social stigma of how being a creative is not a worthwhile occupation. Hosted by @AngelinaPanozzo.
At our 1-year mark, the Musochat leadership is taking a look at Musochat in the past, present, and future. What has Musochat meant to you? What would you like to see more of? Less of? All this and more… Hosted by @musochat.
What considerations do you make when putting together a program? Hosted by @ursulasahagian.
Money is a taboo subject in our culture, and is often particularly hard to deal with for creative types. Let’s untangle some money knots. Hosted by @arthurbreur.
What if we discussed teaching new music as thoroughly as we discuss performing/promoting it? Hosted by @QuirkyViolinist.
There’s been a bit of debate this year about the term “classical music” and its limitations. What exactly is “classical music”? And how far does it go into the past and into the present? Hosted by @dsaylorcomposer.
What works well, what doesn’t work, and how can competitions and new music festivals support the larger community? Hosted by @mezzoihnen, @gibsonmara, and @mhall_viola.
What are the ways in which we can support each other? Where do you find your own support? Where aren’t you finding support? What are you hoping NMG will cover surrounding this topic? Hosted by @newmusgathering.
Many composers of the past century have been pushing limits with graphic notation, video notation, or other new ideas. In what ways is this powerful and exploratory, for performers, composers, and audiences? In what ways is it limiting and diminishing, for the same groups? What’s the next step? Hosted by @AlanUhler.
What do we mean when we talk about the accessibility of a work? What do we perceive it to mean when others use it? Are there more precise words we could use? Is “accessibility” a useful metric in any way, or should we aim to retire it? Hosted by @sbassoon.
Even the most confident and accomplished musician has hangups and experiences shame from time to time. These things can sometimes hinder our work. Perhaps when utilized a certain way, they can also help our work? Hosted by @chrysanthetan.
What are genres? Why does it matter? SHOULD it matter? I always think about this, and I want to know what others think! I’ve got so much to ask. Hosted by @samelnicomposer.
I’ve been kicking around the idea of doing grad school. I have lots of questions around that. Hosted by @gahlord.
How has your identity/self-labeling affected your work as an artist? Has identity been your greatest tool in your creativity? Has it been a hindrance due to insecurities in identity? Hosted by @RossCrean.