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How we interact, structure our time, problem-solve, and the degree to which we allow ourselves to be vulnerable with one another can determine not only the outcome of our performances, but also our personal experience of music-making and even the trajectory of our careers. Hosted by Ann Moss.
Discussing sustainable placemaking strategies with regards to music and performing arts. Focused on low income and underprivileged communities. Hosted by Matt Kribs.
Any discussion of “relevance” and new music has to begin with this: How does the audience find us? Can they afford us? Do they come equipped to listen? What’s our responsibility – in programming, performing, teaching, and composing – when it comes to making new music accessible to new listeners and new communities? Hosted by Greg Simon.
From teaching to performing, or even those of us who work day jobs unrelated to music, income is often made through various sources for musicians. How do we as performers, composers, directors, etc., find the time to do practice what we excel at most? Hosted by Tony Manfredonia.
How do you listen? These days, we’re all very focused on how to be successful in the new internet economy – and we should be. However, if we know more about a composer’s career than we do about their music, then we’re out of balance. In this conversation, we’ll talk about the art of listening, the importance of it, and the support of fellow musicians and composers. Hosted by Anthony Joseph Lanman.
Discussing our business habits as performers, composers, and creators. What business skills do we have, need, recommend? What “traditional” business resources should we know about and take advantage of as people in the creation business? Hosted by Arthur Breur.
In many other areas of classical music, notably conducting and composing, women remain in the minority in concert halls, textbooks, radio shows, and on university faculty rosters. In this discussion, all are welcome to share their experiences within the classical music world, academia, and related spheres as they relate to issues of gender and intersectionality – with a positive focus on practical solutions. Hosted by Elisabeth Blair.
What influences each artist’s own journey of growth, development, discovery, and creative output? Hosted by Wesley Ferreira.
Come for the surprise, stay for the discussion. Questions from across the Musochat community. Hosted by the musochat team.
Overwhelmed with juggling all the different aspects of life and career? This musochat will explore how we all manage and cope in our busy lives and in this culture of the pressure to be busy all the time. Hosted by pianist Eunbi Kim.
Technology has made it easier than ever for musicians to experiment with adding visual elements to their pieces. But does this spell an end to abstract listening? Hosted by J.M. Gerraughty.
How do you find the opportunities? How do you pick which ones to apply for? How do you minimize the time you spend applying, and how do you know what to submit? Hosted by Kevin Clark.
How can we add value to our performances, compositions, and interactions? Hosted by Garrett Hope.
While many of us promote new music by appealing to lovers of traditional classical music, this #musochat will discuss strategies of inviting all types of listeners into the mix. Hosted by Elliott Grabill.
Archaic business practices tell us not to discuss others wages and salaries. In the music business, it is important to know the going rates, get the money talk out of the way, and be ready to negotiate for what your time is worth. Let’s get comfortable talking about the details of our business. Hosted by @Adam Schumaker.
A discussion about business and entrepreneurship in music schools. Hosted by Gahlord Dewald.
In a world where there is more opportunity than ever, even the traditional careers in music require an astonishing amount of versatility. Hosted by Mark Connor.
How do we achieve more balance between the needs on all sides? What do we frequently give up – what is often the sacrifice? Can we cover all bases without wearing ourselves thin enough to snap? Hosted by Griffin Candey.
How is the model changing for opera, and how can we make the art form more accessible? Hosted by Kim Feltkamp.
Humor is a punderful thing, especially in music. What strikes your funny bone? What left you rolling on the floor laughing after a rehearsal? Let’s take some time to relive what makes us laugh in music and share the joy it can bring. Hosted by Sam Melnick & David Falterman.
How did you get that first gig? How did you set up your first festival? I want to know, and I’m going to try and figure it out in 10 questions. Hosted by @jkmbassoon.
Bringing together musicians who struggle with mental illness – and those dear to them – to share our stories, where we think it all began, our low points, and our sources of light, including all of the ways in which we cope. Hosted by @mirandageorge.
About the creative spirit and musicians who express creativity through multiple outlets; about the social stigma of how being a creative is not a worthwhile occupation. Hosted by @AngelinaPanozzo.
At our 1-year mark, the Musochat leadership is taking a look at Musochat in the past, present, and future. What has Musochat meant to you? What would you like to see more of? Less of? All this and more… Hosted by @musochat.
What considerations do you make when putting together a program? Hosted by @ursulasahagian.
Money is a taboo subject in our culture, and is often particularly hard to deal with for creative types. Let’s untangle some money knots. Hosted by @arthurbreur.
What if we discussed teaching new music as thoroughly as we discuss performing/promoting it? Hosted by @QuirkyViolinist.
There’s been a bit of debate this year about the term “classical music” and its limitations. What exactly is “classical music”? And how far does it go into the past and into the present? Hosted by @dsaylorcomposer.
What works well, what doesn’t work, and how can competitions and new music festivals support the larger community? Hosted by @mezzoihnen, @gibsonmara, and @mhall_viola.