A discussion about how to notate extended techniques, improvisations, and if/when over- or under-notating is useful. Hosted by John Huenemann.
Many composers of the past century have been pushing limits with graphic notation, video notation, or other new ideas. In what ways is this powerful and exploratory, for performers, composers, and audiences? In what ways is it limiting and diminishing, for the same groups? What’s the next step? Hosted by @AlanUhler.